Monday, 19 March, 2012

Cover genesis for Kingmaker's Sword

Thought we'd share the cover genesis for book one of Ann Marston's Rune Blades of Celi series, Kingmaker's Sword.

There were a few iconic images we wanted to incorporate into the cover, and indeed the series, the primary one being a sword. But not just any sword. According to Ann she was fascinated as a girl by her grandfather's claymore, "that hung over the fireplace in the living-room when we lived in Manchester," she says. "It was almost as tall as he was and he was over six feet. But I loved the clean, graceful lines of it."

The swords in the Rune Blades of Celi are not quite claymores, however. Ann always envisioned them as a hand-and-a-half swords, otherwise known as bastard swords. Kingmaker's Sword, of the novel by that title, she envisioned as quite simple, with a leather wrapped hilt, and a clear crystal on the pommel.

There are also runes on the blade, which say Take up the Strength of the Celi.

So, we wanted to showcase the sword and create a clean, simple image, with a sense of great portend. Our first incarnation resulted in this:

Version 1
It was decided the cover looked too much like clip-art, self-published, but that the sword and type were acceptable. The runes on the sword are in fact Ogham, created by translating Take up the Strength of the Celi into Scots Gaelic, roughly: gabh ort fh`ein cumhach Celi, and then into Ogham. The type for the title we thought should be in an Old English style, to indicate a medieval-ish reference, and we liked the somewhat metallic feeling of it, to reflect the importance of the sword.

That resulted in this:

Version 2
The type was chiseled in this version, and the purple to orange gradient replaced with a simple black ground. An improvement, but still not quite there. We need a bit more punch. That resulted in our final version:

Version 3, Final

Now we're created a sense of place, a definite feeling of brooding storm, and enhanced the metallic feeling of the sword in the sheen of the water and the type.

Wednesday, 14 March, 2012

Where Five Rivers meet today

Today's blogging is essentially an update of our progress here at Five Rivers. Oh, we have been busy. One might even say frenetic.

Here goes:

Mike Fletcher is working on the revision of 88, and should have that to us by the close of April. He says the revision is going well, and that we've ruined him for ever again enjoying the act of reading fiction. Apparently phrases like: expository lump, or inconsistent POV, or clumsy phrasing keep going through his head. Sorry, Mike. Well, we're not really, but we're grinning evilly.

The introduction to Susan J. Forest's collection of short speculative fiction, Immunity to Strange Tales, is now being written by our surprise, guest author. We're right on target with the collection and excitement is building about the launch at When Words Collide. Susan will be there (what would a launch be without the author?), as well a host of other Five Rivers luminaries.

Growing Up Bronx, the collection of short stories/memoir by H.A. Hargreaves officially releases April 1. It's an excellent companion to his collection of speculative fiction, North by 2000+. Hank will be attending When Words Collide, and will be reading from his collections. That will be a treat you won't want to miss.

Nate Hendley's next release, John Lennon: a biography, is now in revision and expected back in April. All going well, we should see a release late spring.

The re-issue of Matt Hughes action thriller, Downshift, is now in galley form and being proofed. Check out our cover. Hot on its heels will be the unpublished sequel, Old Growth. Matt informs us he's now house-sitting in the south of France. Tough job, Matt, but apparently someone has to do it.

Ann Marston is preparing the first book of The Rune Blades of Celi series, Cloudbearer's Shadow. Very much look forward to the re-issue of this series, and her appearance at When Words Collide.

Mik Murdoch: Boy Superhero, the debut YA novel by Michell Plested, is now in final edit with Mike. We're just ridiculously excited about this novel (first of a series). And, you guessed it, the novel will be launching at When Words Collide.

Another collection that will be launching at When Words Collide is J.W. Schnarr's horror shorts, Things Falling Apart. An introduction is now being written for it, and we're expecting galleys to be produced by the close of April.

And for today, Wednesday, March 14, that's the state of literature at Five Rivers.






Wednesday, 7 March, 2012

Intern positions open

We've grown to the point at Five Rivers that we find ourselves in need of more staff to assist in various departments. Please understand these are intern positions, and as such you're working for Five Rivers for love and glory, and unfortunately not for remuneration. Having said that, there's an opportunity here for the right people to join a dynamic, developing publishing house during a pivotal year, and gain what we think is rewarding and valuable experience that can be used on that all important CV.

All candidates must be Canadians either living in Canada or abroad, and have reliable Internet access.

Please send inquiries and resumes to Lorina Stephens, Publisher.

We're looking for people to fill the following positions:

Marketing and Promotion
Successful candidates will be required to develop, oversee and implement Cloud-based marketing and promotion strategies to bring readers and Five Rivers' authors and books together.

Candidates should be comfortable with:
  • Twitter
  • Facebook
  • Google+
  • Goodreads
  • blog tours
  • creating book trailers
  • creating and delivering hard copy promotional materials
  • webcasting
  • creating and distributing media releases
Art Department
We're looking for one or two artists to create covers for our books. This position involves reading the books, developing cover concepts, presenting and discussing concepts with the author and publisher, and delivering final artwork. Requires proficiency in the use of InDesign.

Proof-readers
People to proof-read galleys for any spelling, punctuation or formatting errors. All galleys are produced in PDF and emailed. The ability to adhere to a deadline is important.

Digital Book Development
We're looking for people capable of creating:
  • laying out dynamic digital book format;
  • creating 2.0.0 compliant EPUB files, and
  • capable of moving into the world of creating small animations for inclusion in digital books

Tuesday, 6 March, 2012

Five Rivers Signs Two-book Deal with Matthew Hughes

Matt Hughes
Late last week an agreement was reached between Five Rivers Publishing and well-known Canadian author, Matthew Hughes, to reprint his 1997 crime mystery, Downshift, and to release the unpublished sequel, Old Growth.

"We're very pleased to give Matt's work a home here," says Lorina Stephens, publisher at Five Rivers.

Hughes writes fantasy and science fiction under the name Matthew Hughes, and Matt Hughes for crime fiction. He's won the Crime Writers of Canada's Arthur Ellis Award, and has in the past been shortlisted for the Aurora, Nebula, Philip K. Dick, and Derringer Awards.

Originally from Liverpool, England, Hughes moved to Canada with his family when he was a boy, and struggled as one of Canada's many working poor. In his adolescence he served a year as a volunteer with the Company of Young Canadians. Later, university education was cut short, and he took a factory job making school desks, drove a grocery delivery truck, and for a time was a night janitor in a GM dealership and even worked as an orderly in a private psychiatric hospital.

As an adult, he's plied the trade of writing first as a journalist, then as a staff speechwriter to the Canadian Ministers of Justice and Environment. From 1979 until a few years ago he worked as a freelance corporate and political speechwriter in British Columbia. He is a former director of the Federation of British Columbia Writers and used to belong to Mensa Canada. He says, "These days I'm conserving my energies to write fiction." He goes on to say, "I've been married to a very patient woman since the late 1960s, and I have three grown sons."

At the moment Matt and his wife are house-sitting in France, and hope to return to Canada late this year.

Downshift is slated for release late in 2012 in both print and digital formats, with Old Growth appearing early spring of 2013.

Monday, 5 March, 2012

Commerce as censor

Once again I find myself stunned by the increasingly moralistic, repressive response we seem to be experiencing in Western society. My astonishment is centred around PayPal's recent McCarthyistic bullying of Smashwords, among others. The crux of the issue is either Smashwords and other specifically named distributors and aggregators of literary content, revise their censorship policies to comply with PayPal's views, or face having their accounts shut down.

While I personally am not a lover of the material in question (literature involving incest, bestiality and rape), neither do I feel business and commerce has the right to impose censorship and bully tactics on business partners. As so many have said, this is the slippery slope. First censor writers of erotica. Next filter the arts for any hint of potentially offensive material. Allow this precedent, and we face banning of Nabokov's Lolita, Atwood's The Handmaid's Tale, and for some extremists Chaucer's The Miller's Tale.

'The Rape of Leda', Roman relief, c 2nd century B.C.
And hell, if we're going to start banning books dealing with incest, bestiality and rape, and sellers of such literature, we might as well start purging libraries of books like Sophocles' Oedipus Rex, smash ancient Roman sculpture and relief, or for that matter rewrite the Bible to eliminate Noah's concourse with his daughters, or for that matter the entire Biblical book, Song of Solomon. Why stop there? Why not ban study, or even demand destruction of, ancient Hindu temples which are a testament to the virility and sexuality of the human species?

Hindu temple in Khajuraho

The EFF (Electronic Frontier Foundation) issued a press release, as did the combined bodies of NCAC (National Coalition Against Censorship) and ABFFE (American Booksellers For Free Enterprise) issue press releases on this issue.
What can you do? To quote from Mark Coker's (founder and head of Smashwords) notice to publishers and authors:


Tell the credit card companies you want them to give PayPal permission to sell your ebooks without censorship or discrimination. Let them know that PayPal's policies are out of step with the major online ebook retailers who already accept your books as they are. Address your calls, emails (if you can find the email) and paper letters (yes paper!) to the executives. Post open letters to them on your blog, then Tweet and Facebook hyperlinks to your letters. Force the credit card companies to join the discussion about censorship. And yes, express your feelings and opinions to PayPal as well. Ask them to work on your behalf to protect you and your readers from censorship. Tell them how their proposed censorship will harm you and your fellow writers.

Visa: http://finance.yahoo.com/q/pr?s=V+Profile

American Express: http://finance.yahoo.com/q/pr?s=AXP+Profile

MasterCard: http://finance.yahoo.com/q/pr?s=MA+Profile

Discover: http://finance.yahoo.com/q/pr?s=DFS+Profile

Ebay (owns PayPal):  http://finance.yahoo.com/q/pr?s=ebay+Profile

Friday, 24 February, 2012

John Poulsen to publish Shakespeare for Reader's Theatre

John Poulsen
University of Lethbridge professor, John Poulsen, and Five Rivers have reached an agreement to publish Shakespeare for Readers' Theatre.

Shakespeare for Readers’ Theatre is a Readers’ Theatre collection of three of Shakespeare’s most beloved plays in abridged form. Hamlet, Romeo and Juliet, as well as Midsummer Night’s Dream have been trimmed while keeping Shakespeare’s beautiful language.

Hamlet can run more than four hours but this Hamlet will run less than 45 minutes while keeping most of the great lines. Not short enough? The book contains an even shorter version of Hamlet that should run less than 20 minutes. That is, each of the Shakespeare plays have two Readers’ Theatre versions, the long version intended to run 45 minutes and the short version intended to run about 20 minutes.

Shakespeare for Readers’ Theatre also includes an introduction to the each of the plays including probable original sources, first production dates, and important historical information. Further, each of the Readers’ Theatre long versions have attached suggested director’s notes. These notes include interpretations of the text, definitions, blocking suggestions, and character recommendations.

The book is intended as an important practical resource for theatre practitioners, directors, and teachers.

John Poulsen comes well-equipped to create this excellent resource. He is an academic, performer, director and writer. As a specialist in Drama Education his research examines diverse fields such as affective attunement, teacher as performer, theatre direction, history of Drama Education, and Shakespeare.

John is a founding member of two performing companies, masQuirx and Loose Moose Theatre Company (from which came Theatre Sports). He has directed over 50 productions with a focus on classics including Shakespeare and Theatre for Young Audiences collective creation.

Shakespeare for Readers' Theatre will be available for the fall semester (targeting for August 1, 2012) as three separate eBooks (one for each of the plays: Hamlet, Romeo and Juliet, and Midsummer Night's Dream), and as a print omnibus that includes all three plays.

Friday, 17 February, 2012

Cover for Things Falling Apart

The cover for J.W. Schnarr's forthcoming collection Things Falling Apart has just landed in our In Box. Have to say we're pleasantly creeped out by it.

The artist, Gavro Krackovic, is a 22 year old native of Podgorica, Montenegro. From the time he was a boy he's been in love with visual arts, and while still in secondary school, at the age of 17, branched out into freelance work. Can't help but admire that kind of entrepreneurship and artistic chutzpah.

Later, he studied at the Faculty of Visual Arts in Podgorica. He now continues to work as a freelance graphic artist, web designer, illustrator and photographer, with clients across the globe.

You can find out more about Gavro at www.gk-design.co.cc
Gavro Krackovic